Monitoring

ARC Studio is a standalone room correction solution for stereo monitoring systems, It combines a hardware processor, the ARC 4 software and a precise MEMS Measurement microphone. The completely new algorithm corrects unfavourable acoustic conditions that could otherwise lead to an incorrect mix.The system thus enables a natural and transparent sound that guarantees reproducible results.The quality of the monitoring path is crucial. ARC Studio offers a dynamic range of 120 dB(A) between analogue input and output, a frequency response of 0.5Hz to 40kHz and ultra-stable clocking for infinitesimally low jitter. This ensures sonic transparency and accuracy that can only be found in professional audio interfaces and mastering-grade audio converters Mastering-grade audio converters.The connection to studio monitors is made via balanced XLR connectors, which are equipped with relay-based hard bypass to prevent unwanted background noise.

iLoud Micro Monitor is the smallest studio reference monitor pair in the world. The two transportable bi-amped loudspeakers deliver 50 watts RMS and have 4 high-performance class D amplifiers including 45 Hz bass extension. Both speakers are equipped with a 3/4" tweeter, a 3" woofer and a bass reflex port. A 56-bit DSP ensures linear frequency reproduction, which can be adjusted using 3 rear switches. The monitors can be optimally adjusted to the respective listening position at 2 different angles. Just like the popular iLoud, iLoud Micro Monitor can also be operated wirelessly via Bluetooth.

The T10S is a powerful yet compact 10-inch active subwoofer designed to extend the bass response of nearfield monitors. At the same time, the subwoofer's performance, features and connectivity are specifically matched to ADAM Audio's T5V and T7V studio monitors.Equipped with a down-firing 10˝ woofer and a superior 130 watt Class D amplifier, the T10Soffers a frequency response of 28 Hz to 120 Hz and an impressive maximum sound level of 104 dB SPL. An adjustable low-pass filter can be used to adapt the bass signal to the monitors in order to get the best out of the overall system. Further adjustment options on the rear of the subwoofer allow it to be adapted to the room acoustics or the satellite speakers.Visually, the T10S follows the clear lines of the T series and its dimensions make it one of the most compact subwoofers in its class. This makes it easy to integrate into any studio environment. The acoustic performance has been optimised by means of four decoupling rubber feet and a generously dimensioned bass reflex port.

In recent years, the audio industry has produced a large number of new, high-quality multi-channel audio formats, which place considerably higher demands on the professional production environment in the studio. The Blu-ray format, for example, makes it possible to store an increased number of discrete audio channels with high resolution (7.1). To meet these requirements, Neumann has created a 7.1 High Definition Bass Manager with the newly developed electronics of the KH 810, which fulfils all studio requirements from mono to the latest 7.1 HD formats. With eight analogue input channels, flexible connection is guaranteed in the modern studio environment. Four switchable LFE modes guarantee compatibility with all formats and industry standards. Extensive acoustic adaptation options and a frequency separation of 24 dB/oct allow optimum integration into the existing studio acoustics. The built-in 8-channel volume control in conjunction with the optionally available wired remote control can be used to realise source-independent central system control. The electronics of the KH 810 can be detached in order to adapt the cabling flexibly. The latest amplifier technology and extensive research and optimisation of the speaker chassis used have resulted in the highest degree of bass precision and sound neutrality. The low-resonance cabinet and the flow-optimised bass reflex channels ensure dry and extremely low-distortion bass reproduction down to 18 Hz, even at high levels. Multisubwoofer systems can easily be set up using the sum output of the electronics. This allows speaker arrangements such as Plane Wave Bass Arrays TM (PWBA) to be implemented, which dramatically improve the lateral mode behaviour in the listening room via cylindrical wave generation. The KH 810 was developed as an extension of our extensive range of studio monitors. It can be used alone or in combination with several subwoofers to realise large systems with very high maximum level requirements. The KH 810 is therefore the ideal low-frequency extension for music, broadcasting and post-production for use in tracking, mixing and mastering. It can preferably be positioned close to the wall or, thanks to the bass reflex ports on the front, in the wall and can be freely combined with all our monitors in multi-channel systems.

The Sub8 is a powerful active subwoofer with small dimensions that extends the playback range to below 30 Hz and can be customised in many ways to suit the acoustic conditions.It contains a special long-throw 8.5" chassis, which is driven by a powerful magnet and a 38 mm voice coil. ICE modules are used as amplifiers, which combine high performance with minimal heat generation and can easily cope with high loads over long periods of time.There are control options for volume (-60 to +6 dB) and phase switching (180°). Furthermore, the upper cut-off frequency of the subwoofer can be variably adjusted (50 - 150 Hz). A filter can be switched on for the satellite outputs, which blocks the signals from the satellites below 85 Hz, for example to reproduce a film soundtrack in accordance with Dolby® and relieve them of the low frequencies. It is also possible to either switch the subwoofer on or off manually or have it switch on automatically as soon as it receives signals (signal-on/continuous).The remote control supplied allows these controls to be set conveniently from the listening position.

The D3V is a fully active desktop monitor system designed for composers, producers and music lovers who want to enjoy ADAM Audio's sound quality as comfortably as possible. Available in white or black, the active monitors feature the legendary gold-coloured ribbon tweeter and remain true to ADAM Audio's established German industrial design.Each pair of active speakers features 3.5-inch aluminium bass-midrange drivers and a ferrite magnet system powered by 80-watt amplifiers. The bass-midrange drivers are complemented by double-sided 3.5-inch passive radiators, giving the D3V an extended frequency response down to 45 Hz.With 25 years of experience in the design and manufacture of ribbon tweeters, ADAM Audio has designed the compact 1.5-inch D-ART (Desktop Accelerated Ribbon Tweeter). It enables the precise, unagitated high-frequency reproduction for which the manufacturer's established monitors are known.The D3V has a USB-C input. Accordingly, the monitor system behaves like a digital output device when connected to a computer and does not require an additional audio interface for playback. This plug-and-play functionality also extends to mobile devices, so that high-quality sound reproduction can be enjoyed without the data compression or conversion typically associated with such connections. The D3V also features balanced 6.35 mm TRS inputs for conventional analogue audio applications.The rear of the left speaker has a series of user-friendly switches to solve the typical acoustic problems associated with speaker placement. The front panel also features a headphone jack and a volume control that simultaneously controls audio input selection, muting and other functions.The D3V comes complete with detachable monitor stands, which are inclined at an angle of 15° towards the user's ears. In addition, there is a standardised 3/8" thread on the bottom of both monitors for mounting on microphone stands.Fully active 3.5-inch aluminium bass-midrange driver with ferrite magnet systemOptimised via ADAM Audio's state-of-the-art Klippel measurement system, the extremely symmetrical voice coils and ferrite magnets help to minimise unwanted distortion and provide a linear drive to the bass-midrange drivers. Each one-piece concave cone is made of ribbed, thick aluminium with a long linear excursion that delivers uncoloured sound even at surprisingly high output levels.The D3V is a fully active design with four amplifier channels and DSP-controlled crossover. The bass-midrange drivers are powered by 80-watt amplifiers, with the link connection cable transmitting an amplified signal to the right speaker.D-ART tweeterA quarter of a century of research and development into ribbon tweeters has led to the development of ADAM Audio's powerful 1.5" Desktop Accelerated Ribbon Tweeter. Each diaphragm is hand-folded and bonded to 40W amplifiers that drive each unit. Like all other ADAM Audio tweeters, the D-ART features a fine-tuned crossover managed by a high-precision signal processor.Passive radiatorThe D3V utilises double-sided passive radiators in each speaker, a total of four per system. Each passive radiator consists of a stainless steel plate as the moving mass and a specially stabilised long excursion rubber surround as the suspension. Together they amplify the lowest frequencies of the loudspeaker through their interaction with the main bass-midrange drivers and thus contribute to an increase in the sound pressure level of the overall system.USB-C direct inputThe D3V is ADAM Audio's most convenient monitor system to date, as it features a plug-and-play USB-C input. The speakers behave like a digital output device when connected to a computer, mobile phone or tablet, eliminating the need for an additional audio interface. This direct digital connection enables high-quality audio playback without the data compression or additional conversion typically associated with desktop monitors.DSP room acousticsThere are three switches on the rear panel of the left speaker to counteract the typical acoustic problems resulting from speaker placement. "POSITION" refers to the fixed position of the speaker in the room. "DESK" refers to the size of the desk in front of the speaker, while "ROOM" refers to the degree of acoustic damping in the room in which the system is used.Balanced analogue inputsIn addition to the USB-C input, the D3V has analogue inputs for conventional audio applications. It enables balanced connections to audio interfaces as well as direct connections to a wide range of hardware, including synthesisers, drum machines, samplers and DJ mixing consoles. The USB-C connection or the balanced analogue inputs can be selected by pressing the volume control on the left speaker.Headphone output, monitor stand and mounting optionsFunctionality and convenience played a major role in the design of the D3V. The headphone output on the front automatically takes over audio playback when connected. Monitor stands angled at 15° are also included. In addition, there is a standardised 3/8" thread on the underside of both monitors for mounting on microphone stands.Injection moulded housingThe housing of the D3V is made of high-quality ABS injection-moulded polycarbonate with thick walls and ample bracing to prevent vibrations and unwanted resonances. The rounded shape reduces unwanted sound diffraction at high frequencies while honouring ADAM Audio's long-established industrial design.

It is worth mentioning that the DSP, which uses a high-quality A/D converter from BurrBrown, only filters the woofer of the subwoofer. The signal path for the satellite speakers remains purely analogue and undergoes no A/D, D/A conversion. With the "Pure Satellite" function, when activated, the subwoofer and the DSP filter section are bypassed completely. In this case, the satellite signals are routed unfiltered to the outputs and only the volume of the satellites can be varied.The volume of the subwoofer and the entire stereo system can be controlled using the remote control supplied as standard with the subwoofer - all from the comfort of your listening position.The special feature of our extremely powerful and high-precision subwoofers is the passive cone used, which replaces the usual bass reflex channel. This design completely eliminates disturbing flow noise caused by air turbulence. Audible tube resonances (with lambda/2 + multiples) are due to the principle of an open tube on both sides (bass reflex channel) and can be eliminated with the passive membrane design in all EVE Audio subwoofers. Furthermore, the suspension of the passive cone has a restoring force below the tuning frequency, which reduces inaudible subsonic excursions. This means less excursion in the operating range and thus reduced intermodulation distortion.A passive diaphragm enables a particularly low tuning or lower cut-off frequency in a compact housing.