Headphones & Microphones

Versatile complete system with two transmitter modules and a 2-channel receiver, ideal for interviews and other occasions where two sound sources need to be recorded or transmitted simultaneously and separately. The small transmitter modules already have a built-in microphone and can be conveniently attached to clothing with their clip. The modules each have an internal LiPo battery that allows up to 7 hours of operation. The range of the radio link is a full 260 metres in a clear line of sight.The signal quality is at its best, both analogue and digital: crystal clear and ready for immediate transmission. The transmitters work with RØDE's ingenious GainAssist automatic levelling system. The limiting sound pressure level of the built-in microphone is a whopping 123.5 dB SPL - so ugly distortions are virtually impossible. If you wish, you can record the sound directly in the transmitter module with 32-bit float; the internal memory is sufficient for more than 40 hours. The receiver module provides two-channel audio output, either analogue via the receiver's 3.5 mm TRRS socket or digital via the USB-C socket. In addition to a camera, the receiver can also be connected to a smartphone or iPhone. The necessary USB cables are included in the scope of delivery. The highlight: If you use the USB-C port for sound output, you can use the 3.5 mm socket for headphones to listen in on the recording. As this is a four-pin TRRS socket, you can also connect a headset or wired mobile phone headphones and thus integrate a third microphone signal. Wireless GO comes with a comprehensive range of accessories, including a triple USB strip (SC33), a 3.5 mm TRS connection cable (SC2) to the camera, a USB-C to Lightning cable (SC21), a USB-C to USB-C cable (SC22), three fur windscreens for outdoor recordings and a high-quality neoprene carrying case. The modules are manufactured at RØDE's precision facility in Sydney, Australia.The TX transmitter modulesEach of the two 4x4 cm transmitter modules has a high-quality microphone built in, which has been optimised for voice transmission. The clip on the back makes it easy to attach the transmitter module to clothing. For outdoor recordings, you should always use one of the supplied fur windscreens. Simply pull back the hair and attach the windscreen so that the two white dots match the two black dots on the module. Then turn it a quarter turn to the right and it will sit securely on the module.If the transmitter module is too conspicuous in the picture, you can use the 3.5 mm TRS socket on the side and connect an external microphone - for example the Lavalier GO or Lavalier II - there. The TRS socket has an external thread so that the plug of the Lavalier II can be screwed on with its union nut. This makes it impossible to accidentally loosen the plug. GainAssist technologyGainAssist, RØDE's intelligent automatic gain control system, which permanently adjusts the internal gain setting in the transmitter module to the respective sound source, is very helpful. In this way, you are protected from surprises and the audio signal is always transmitted at a healthy level and with the best possible intelligibility.Recording in the transmitter module, 32-bit float audioWireless GO offers a recording function directly in the transmitter module and an internal 32 GB audio memory for this purpose, which is sufficient for more than 40 hours. The recording is uncompressed as a WAV file with 32-bit float audio. The advantage: as long as the limit sound pressure level of 123 dB is not exceeded, it is virtually impossible to distort the signal through digital clipping. Very loud passages with flattened level peaks can be subsequently equalised by normalisation during post-production in a DAW compatible with 32-bit float.The RX receiver moduleDSLR film-makers can attach the receiver module to the camera's hot shoe. The 3.5 mm socket on the module is then connected to the camera's 3.5 mm microphone input using the short TRS spiral cable supplied. You can then set whether the signals from the two transmitters are output separately (TX1 left/TX2 right) or in mono - in this case, the signals from TX1 and TX2 are combined and recorded identically on the left and right channels of the camera so that the sound comes directly from the centre during playback in the stereo image. The two buttons on the front are used for configuration; the colour LC display provides information on the input level, level reduction, mute status, battery charge status of the transmitter and receiver, connection status, display mode and output level or output mode.Flexibly usable outputsThe USB-C port of the receiver module is not only used to charge the battery, but also as a digital output to output the sound to a smart phone or iPhone. The scope of delivery includes both a USB-C to USB-C cable and a USB-C to Lightning cable. If you use the USB-C port for sound output, the 3.5 mm TRRS socket is free to connect headphones and control the audio signals directly during recording. You can also connect a headset or mobile phone headphones and also use the microphone.ConfigurationThe free "RØDE Central" software can be used to update the firmware, activate additional functions and make special settings. For example, you can activate the safety mode, which makes the sound output on the right channel 20 dB quieter. If the sound on the main track (left channel) becomes audibly distorted at any point (e.g. due to an unexpectedly loud sound source), you can simply switch back to the quieter safety track in post-production. The Auto On/Off function is also interesting for DSLR film makers. Once activated, the receiver module switches on and off automatically together with the camera. The receiver detects the 4 volt plug-in power applied to the camera's microphone input.

Immersive, wireless sound with all-day comfortImmerse yourself in music with powerful, natural soundTuned for a natural, highly detailed sound that is highly praised by music producers. The sound can be customised via the AIAIAI app.Comfortable listening all day longHigh-quality over-ear memory foam ear pads and a headband covered in durable, soft PU leather ensure enhanced comfort. The over-ear design offers high noise isolation and effectively blocks out ambient noise.Wireless playback on the goBluetooth 5.3 with up to 40 hours of playback time. A seamless connection to Bluetooth devices is guaranteed at all times.Wireless music – upgrade availableUltra-low latency with W+ Link connectivity, trusted by DJs and music producers. The ultra-low latency can be unlocked with an AIAIAI X03 W+ Link transmitter.Customise, swap and upgradeThe modular design of the TMA-2 Move Wireless allows for unlimited customisation as well as easy replacement or upgrading of individual components.Reducing the environmental footprintCarefully selected materials for durability and sustainability. The driver units are made from 100% recycled plastic.

The HeadRush VX5 is a modern and intuitive vocal effects pedal featuring the industry-standard Antares AutoTune ® technology. Designed for live performances and real-time vocal processing, the VX5 offers singers of all genres and styles confidence and creative control through access to a wide range of professional audio effects in a compact package.At the heart of the VX5 is the legendary AutoTune ® algorithm, which has been used and popularised by some of the most prominent and beloved artists of our time. This indispensable music production software has redefined the image of the modern vocalist and expanded the range of effects available to artists whose instrument is the human voice. The VX5 makes this technology available to the everyday musician or producer in a tactile format.Make subtle pitch corrections or experience the distinctive sound of AutoTune ® in all its glory via the pedal’s dedicated ‘Retune Speed’ and ‘Humanize’ controls. Beyond pitch correction, the VX5 also offers studio-quality reverb, delay, chorus, compression and flavour effects, as well as an intelligent harmoniser capable of generating vocal harmonies based on chords from a connected guitar or keyboard.The VX5’s clear layout and colour display, with easy up/down navigation through presets, make it simple to programme presets for every song in a set or adjust parameters whilst playing. Using the pedal’s two footswitches, you can switch seamlessly between presets or activate Talk Mode to conveniently control effects during a live performance. Artists can easily automate preset changes via their playback rig using MIDI over USB.With up to 250 presets to create and explore, and this pedal’s unique ability to function as a class-compliant USB audio interface for easily recording ideas, the VX5 is the ultimate vocal effects processor for use on stage and in the studio.

SCHOEPS now also offers the best-selling modular microphone series Colette in a handy and robust Peli Case as a pair at a set price.

The Shure SM4 is a home studio microphone that enables professional recording of vocals and instruments with mix-ready audio and effective noise cancellation. The 1-inch brass dual-diaphragm capsule is designed to capture your performance with high accuracy and excellent low-frequency control. Patent-pending interference shielding technology reduces unwanted high-frequency noise from wireless devices. The low-profile design and all-metal construction make it an ideal addition to the home studio. A high-quality magnetic pop filter ensures plosive-free audio and is available separately.

The V7 ENG from sE Electronics is a dynamic microphone based on the proven sE V7 and was developed specifically for broadcast applications. For almost a decade, the V7 has delivered clarity, detail and reliability on stage and in the studio. With the V7 ENG, this heritage is now being transferred to the demands of ENG/EFP, field reporting and interviews.Since its introduction, the sE Electronics V7 has set the standard: a dynamic microphone that has inspired musicians, creatives and sound engineers worldwide. With its unmistakable clarity, detail and robustness, it has long been a modern classic on stage, in studios and with content producers. Now sE Electronics is extending this legacy - with the new V7 ENG, a version specially developed for broadcast and reportage.

Particularly convenient monitoring via SonicLink with wireless sound and extremely low latency With the HDJ-F10 system, you can enjoy total freedom in the DJ booth or on stage. Thanks to the unique SonicLink technology, it is possible to move around freely while DJing without being tied to headphone cables. Conventional Bluetooth connections lead to a considerable delay in audio transmission, which is unfavourable for DJ monitoring. However, by connecting the special HP-TX01 transmitter to a DJ mixer, the SonicLink connection is available for seamless mixing pleasure. SonicLink transmits signals with a latency of just 9 ms - 20 times faster than the commonly used Bluetooth SBC codec. Delays of this magnitude go unnoticed - and allow precise monitoring and mixing. The transmitter is compact, lightweight and easy to transport with the rest of your equipment.High volume reserves and sound attenuation - for precise monitoring in any environmentWith the SonicLink wireless connection, you can hear music loud and clear, even in an extremely loud DJ booth or on stage. The headphones offer high-quality sound reproduction even at high levels. Thanks to newly developed ear pads and housing structures, it achieves outstanding sound insulation that surpasses even the Pioneer DJ flagship HDJ-X10.Crisp kick sound and wide frequency rangeThe HDJ-F10 is the AlphaTheta brand's flagship headphones, developed with a particular focus on sound quality. The newly developed 40 mm driver has a PEEK-PU-PEEK composite diaphragm made of two different materials, which ensures a high-resolution sound from the low to the high frequencies: even the smallest details in the music can be heard clearly. The cabinet design combines a bass reflex channel and an air chamber to ensure a high level of sound insulation while extending and amplifying low frequencies. This means you can hear crisp, punchy kick sounds even in a loud DJ booth. But it also makes it possible to work at studio level in a variety of situations, from DJing and music production to listening to tracks in preparation for gigs.Robust for professional useThe HDJ-F10 headphones can be used in any environment. They are extremely robust and have passed the strict US military standard MIL-STD-810H shock test.Bluetooth and noise cancelling mode - for a complete DJ workflowWith the active noise cancelling mode and the transparency mode, you are equipped for all scenarios. When preparing tracks, you can choose whether you want to reduce the ambient noise or let it pass as long as the headphones are connected to a device via Bluetooth. In noise cancelling mode, ambient noise can be blocked out - even in a busy city. This allows you to enjoy music as if you were listening directly in the studio. In transparency mode, external noises remain unaffected so that you can continue to talk to the people around you while listening to music.Long battery life for long DJ setsYou can rely on these headphones to keep going even during long DJ sets. With a full battery, you can work for nine hours via SonicLink or 30 hours via Bluetooth. If you prefer a more classic set, simply use the cable as an alternative.