Headphones & Microphones

Versatile complete system with two transmitter modules and a 2-channel receiver, ideal for interviews and other occasions where two sound sources need to be recorded or transmitted simultaneously and separately. The small transmitter modules already have a built-in microphone and can be conveniently attached to clothing with their clip. The modules each have an internal LiPo battery that allows up to 7 hours of operation. The range of the radio link is a full 260 metres in a clear line of sight.The signal quality is at its best, both analogue and digital: crystal clear and ready for immediate transmission. The transmitters work with RØDE's ingenious GainAssist automatic levelling system. The limiting sound pressure level of the built-in microphone is a whopping 123.5 dB SPL - so ugly distortions are virtually impossible. If you wish, you can record the sound directly in the transmitter module with 32-bit float; the internal memory is sufficient for more than 40 hours. The receiver module provides two-channel audio output, either analogue via the receiver's 3.5 mm TRRS socket or digital via the USB-C socket. In addition to a camera, the receiver can also be connected to a smartphone or iPhone. The necessary USB cables are included in the scope of delivery. The highlight: If you use the USB-C port for sound output, you can use the 3.5 mm socket for headphones to listen in on the recording. As this is a four-pin TRRS socket, you can also connect a headset or wired mobile phone headphones and thus integrate a third microphone signal. Wireless GO comes with a comprehensive range of accessories, including a triple USB strip (SC33), a 3.5 mm TRS connection cable (SC2) to the camera, a USB-C to Lightning cable (SC21), a USB-C to USB-C cable (SC22), three fur windscreens for outdoor recordings and a high-quality neoprene carrying case. The modules are manufactured at RØDE's precision facility in Sydney, Australia.The TX transmitter modulesEach of the two 4x4 cm transmitter modules has a high-quality microphone built in, which has been optimised for voice transmission. The clip on the back makes it easy to attach the transmitter module to clothing. For outdoor recordings, you should always use one of the supplied fur windscreens. Simply pull back the hair and attach the windscreen so that the two white dots match the two black dots on the module. Then turn it a quarter turn to the right and it will sit securely on the module.If the transmitter module is too conspicuous in the picture, you can use the 3.5 mm TRS socket on the side and connect an external microphone - for example the Lavalier GO or Lavalier II - there. The TRS socket has an external thread so that the plug of the Lavalier II can be screwed on with its union nut. This makes it impossible to accidentally loosen the plug. GainAssist technologyGainAssist, RØDE's intelligent automatic gain control system, which permanently adjusts the internal gain setting in the transmitter module to the respective sound source, is very helpful. In this way, you are protected from surprises and the audio signal is always transmitted at a healthy level and with the best possible intelligibility.Recording in the transmitter module, 32-bit float audioWireless GO offers a recording function directly in the transmitter module and an internal 32 GB audio memory for this purpose, which is sufficient for more than 40 hours. The recording is uncompressed as a WAV file with 32-bit float audio. The advantage: as long as the limit sound pressure level of 123 dB is not exceeded, it is virtually impossible to distort the signal through digital clipping. Very loud passages with flattened level peaks can be subsequently equalised by normalisation during post-production in a DAW compatible with 32-bit float.The RX receiver moduleDSLR film-makers can attach the receiver module to the camera's hot shoe. The 3.5 mm socket on the module is then connected to the camera's 3.5 mm microphone input using the short TRS spiral cable supplied. You can then set whether the signals from the two transmitters are output separately (TX1 left/TX2 right) or in mono - in this case, the signals from TX1 and TX2 are combined and recorded identically on the left and right channels of the camera so that the sound comes directly from the centre during playback in the stereo image. The two buttons on the front are used for configuration; the colour LC display provides information on the input level, level reduction, mute status, battery charge status of the transmitter and receiver, connection status, display mode and output level or output mode.Flexibly usable outputsThe USB-C port of the receiver module is not only used to charge the battery, but also as a digital output to output the sound to a smart phone or iPhone. The scope of delivery includes both a USB-C to USB-C cable and a USB-C to Lightning cable. If you use the USB-C port for sound output, the 3.5 mm TRRS socket is free to connect headphones and control the audio signals directly during recording. You can also connect a headset or mobile phone headphones and also use the microphone.ConfigurationThe free "RØDE Central" software can be used to update the firmware, activate additional functions and make special settings. For example, you can activate the safety mode, which makes the sound output on the right channel 20 dB quieter. If the sound on the main track (left channel) becomes audibly distorted at any point (e.g. due to an unexpectedly loud sound source), you can simply switch back to the quieter safety track in post-production. The Auto On/Off function is also interesting for DSLR film makers. Once activated, the receiver module switches on and off automatically together with the camera. The receiver detects the 4 volt plug-in power applied to the camera's microphone input.

The XVive U45 In-Ear Monitor Wireless System utilises digital wireless technology that offers incredible audio quality, easy setup with plug-and-play use and high reliability for all aspiring musicians who frequently play live. The system offers a full 20 Hz - 20 kHz frequency range with 110 dB signal to noise ratio to ensure a clear, detailed signal at any volume level. The wireless system operates in the 5.8 GHz ISM band for crystal-clear transmission, ensuring the integrity of the signal on stage and covering a range of over 30 metres without signal dropout. The lithium-ion batteries make the U45 system environmentally friendly and last up to 5 hours on a single charge. The housing is made of metal and a durable and lightweight ABS plastic that can withstand the rigours of everyday touring and even the harshest climatic conditions. The U45 Wireless In-Ear Monitor System is designed to take the complexity and frustration out of traditional wireless in-ear monitor systems. Of course, multiple receivers can be operated with one transmitter, with a total of six selectable channels available. The U45 set with two receivers is an extremely practical bundle for duos working with the same monitor mix.

The 4088 directional headworn microphone is the industry standard for professional headworn microphones. Its open and natural sound makes it the ideal choice for speech and vocals. The microphone offers excellent off-axis signal rejection at high SPL.

The TMA-2 DJ Wireless from AIAIAI enables wireless performance with extremely low latency for precise beatmatching. With a battery life of more than 25 hours, long sets without interruption are no problem. The lightweight design ensures comfort and freedom of movement, while the robust construction is based on the iconic TMA-2 DJ headphones, which have proven themselves to professionals for over a decade. Equipped with a 40 mm biocellulose diaphragm for clear bass and treble and memory foam ear pads for high sound isolation, these headphones deliver excellent performance even in noisy environments. A switch allows you to choose between W+ Link for performances and Bluetooth for listening on the go. A cable connection is also possible. With the EQ of the AIAIAI app, the sound of the headphones can be customised to individual preferences. Carefully selected materials ensure durability and sustainability. The speaker units are made from 100% recycled plastic.

The SLXD5 mobile, digital single-channel receiver offers the full functionality of an SLXD wireless receiver in a compact, mobile format. With crystal clear 24-bit digital audio quality, efficient long-range UHF transmission and easy set-up, the SLXD5 is the ideal complement to your camera or sound bag. Scan and transmit frequencies via IR sync to a compatible SLXD transmitter or coordinate and monitor systems with a large number of channels and many audio sources in multi-mic mode. With a wide range of optional charging accessories, the system can be used in any location. When using the optional SB903 lithium-ion battery, the bright OLED display shows the remaining battery life in hours and minutes. Scope of delivery: Mobile SLXD5 receiver, 1 pair of AA alkaline batteries, non-conductive cold shoe adapter and carrying case with zip fastener.

Classic AKG sound, rethoughtThe AKG C114 is a large diaphragm condenser microphone that is audibly orientated towards AKG's long studio tradition and is clearly in the here and now. The capsule is based on the classic edge terminated design familiar from legendary models and delivers exactly what you want in the studio. An open treble, clean mids and a bass range that is present without booming. Whether vocals, acoustic guitar, amp, piano or speech, the C114 quickly feels at home.Three polar patterns for real freedomWith cardioid, omnidirectional and figure-of-eight polar patterns, the AKG C114 covers a wide range. Solo vocals in the home studio, room recordings, stereo setups or interviews with two people, one touch on the microphone and you're in the right mode. This flexibility makes the C114 interesting not only for classic music productions, but also for podcasts, streaming and content creation, where setups change more often than the coffee gets cold.Clear, direct and amazingly resilientThanks to the transformerless FET circuit, the signal remains clean and direct. Even loud sources do not disturb the microphone. With up to 145 dB sound pressure, the C114 can easily handle drums, brass or guitar amps at close range. At the same time, the self-noise is pleasantly low at 12 dBA, which reproduces quiet vocals and fine details just as well. The result sounds open, controlled and very honest without being sterile.Modern studio tool with responsibilityThe housing of the AKG C114 is made from completely recycled metals and sustainability was also taken into account for the accessories and packaging. This is not noticeable in the sound, but in the good feeling of using a tool that not only fits the times technically, but also conceptually.For studio, stage and everything in betweenWhether recording, podcasting, streaming or broadcasting, the AKG C114 is a versatile large diaphragm microphone for musicians and producers who don't want to think long and hard, but want to record. A solid workhorse with character, classic AKG heritage and modern technology that will quickly earn a permanent place in your setup.