Monitoring

The Sub8 is a powerful active subwoofer with small dimensions that extends the playback range to below 30 Hz and can be customised in many ways to suit the acoustic conditions.It contains a special long-throw 8.5" chassis, which is driven by a powerful magnet and a 38 mm voice coil. ICE modules are used as amplifiers, which combine high performance with minimal heat generation and can easily cope with high loads over long periods of time.There are control options for volume (-60 to +6 dB) and phase switching (180°). Furthermore, the upper cut-off frequency of the subwoofer can be variably adjusted (50 - 150 Hz). A filter can be switched on for the satellite outputs, which blocks the signals from the satellites below 85 Hz, for example to reproduce a film soundtrack in accordance with Dolby® and relieve them of the low frequencies. It is also possible to either switch the subwoofer on or off manually or have it switch on automatically as soon as it receives signals (signal-on/continuous).The remote control supplied allows these controls to be set conveniently from the listening position.

In terms of performance data, the A44H and the A7V are very close to each other. However, the A44H offers a very interesting housing variant: with its horizontal driver arrangement and a width of exactly 19 inches, the A44H can be placed perfectly on a studio rack as well as above or below a monitor or screen. This design is also ideal for use as a centre speaker in a 5.1, 7.1 or 3D monitor configuration. Two 4-inch long-throw woofers and an X-ART tweeter enable a wide frequency range. The DSP functions offer individual sound customisation options.

Set the Scene:The DM-40D-BT speakers deliver a balanced, powerful bass sound and are equipped with plenty of power reserves thanks to Class D amplifiers and 4-inch woofers. Press the switch to switch from DJ mode to production mode and the DSP settings are automatically adjusted to achieve the best sound for each application.2 sound modes - optimised for DJ-ing and music production:You don't have to decide whether you want a monitor set that's best for DJing or for making music and producing: the DM-40D speakers are perfect for both. Simply flip the switch to select either DJ mode or production mode and the DSP settings will be optimised for the task, allowing you to focus on what's at hand.Easy to combine with various DJ or production equipment:With RCA, mini jack and the now additional jack inputs, you can connect different types of equipment such as DJ controllers and mixers, the laptop or the sound card you're using. You can easily and conveniently connect your headphones via the socket on the front of the DM-40D, and the volume control is also located there so that you can quickly adjust the level at any time.Bluetooth® integrated:The Bluetooth® technology included in the DM-50D-BT and DM-40D-BT models allows you to easily pair your smartphone, mobile device or PC/Mac and play your tracks wirelessly in high quality.

The T5V is an extremely budget-friendly 2-way nearfield monitor and has been optimised for use in smaller control rooms.The T5V has a 5" woofer that enables bass extension down to 45 Hz. The new U-ART offers a pristine and extended high frequency response of up to 25 kHz and represents a groundbreaking solution for high-resolution recordings and mixes on a tight budget. The U-ART tweeter features a precision waveguide with the same excellent dispersion characteristics as the High Frequency Propagation (HPS) waveguide used in the S-Series studio monitors. The very even reproduction of high frequencies by the waveguide ensures an incredibly wide sweet spot, which saves you from having to remain in a fixed position while working.A new cabinet with a small footprint, bevelled edges and a bass reflex port on the rear allows placement anywhere in the room, no matter how small. The T5V also features DSP-controlled crossovers and equalisers as well as analogue connection options (XLR/cinch). Powered by a 50 W Class-D amplifier for the woofer and a 20 W Class-D amplifier for the U-ART tweeter, the T5V achieves impressive peak levels of 106 dB SPL per pair. With its excellent acoustic properties, small dimensions and outstanding price/performance ratio, this studio monitor is very well suited for use in small control rooms for music production, video post-production and broadcasting.If you need even more bottom end: the T5V is compatible with the ADAM Sub7 and Sub8 subwoofers.

In recent years, the audio industry has produced a large number of new, high-quality multi-channel audio formats, which place considerably higher demands on the professional production environment in the studio. The Blu-ray format, for example, makes it possible to store an increased number of discrete audio channels with high resolution (7.1). To meet these requirements, Neumann has created a 7.1 High Definition Bass Manager with the newly developed electronics of the KH 810, which fulfils all studio requirements from mono to the latest 7.1 HD formats. With eight analogue input channels, flexible connection is guaranteed in the modern studio environment. Four switchable LFE modes guarantee compatibility with all formats and industry standards. Extensive acoustic adaptation options and a frequency separation of 24 dB/oct allow optimum integration into the existing studio acoustics. The built-in 8-channel volume control in conjunction with the optionally available wired remote control can be used to realise source-independent central system control. The electronics of the KH 810 can be detached in order to adapt the cabling flexibly. The latest amplifier technology and extensive research and optimisation of the speaker chassis used have resulted in the highest degree of bass precision and sound neutrality. The low-resonance cabinet and the flow-optimised bass reflex channels ensure dry and extremely low-distortion bass reproduction down to 18 Hz, even at high levels. Multisubwoofer systems can easily be set up using the sum output of the electronics. This allows speaker arrangements such as Plane Wave Bass Arrays TM (PWBA) to be implemented, which dramatically improve the lateral mode behaviour in the listening room via cylindrical wave generation. The KH 810 was developed as an extension of our extensive range of studio monitors. It can be used alone or in combination with several subwoofers to realise large systems with very high maximum level requirements. The KH 810 is therefore the ideal low-frequency extension for music, broadcasting and post-production for use in tracking, mixing and mastering. It can preferably be positioned close to the wall or, thanks to the bass reflex ports on the front, in the wall and can be freely combined with all our monitors in multi-channel systems.

It is worth mentioning that the DSP, which uses a high-quality A/D converter from BurrBrown, only filters the woofer of the subwoofer. The signal path for the satellite speakers remains purely analogue and undergoes no A/D, D/A conversion. With the "Pure Satellite" function, when activated, the subwoofer and the DSP filter section are bypassed completely. In this case, the satellite signals are routed unfiltered to the outputs and only the volume of the satellites can be varied.The volume of the subwoofer and the entire stereo system can be controlled using the remote control supplied as standard with the subwoofer - all from the comfort of your listening position.The special feature of our extremely powerful and high-precision subwoofers is the passive cone used, which replaces the usual bass reflex channel. This design completely eliminates disturbing flow noise caused by air turbulence. Audible tube resonances (with lambda/2 + multiples) are due to the principle of an open tube on both sides (bass reflex channel) and can be eliminated with the passive membrane design in all EVE Audio subwoofers. Furthermore, the suspension of the passive cone has a restoring force below the tuning frequency, which reduces inaudible subsonic excursions. This means less excursion in the operating range and thus reduced intermodulation distortion.A passive diaphragm enables a particularly low tuning or lower cut-off frequency in a compact housing.

The new IN-8 2nd Wave has an updated amplifier module and enables 12 dB less self-noise with a 3dB higher output. The tuning has been refined for even smoother high-frequency behaviour and the boundary EQs have been updated to enable practical settings. A new feature here is the preset for horizontal speaker positioning. Further updates include lighter transducer cones for faster transient response and an improved cabinet design for less natural resonance.As a further development of the successful LP-8, the IN-8 2nd Wave features its sophisticated bass reflex system and the same level-resistant woofer. However, instead of the usual tweeter with 3D imaging waveguides, a coaxial midrange/tweeter combination has been installed here. The profile-optimised 4″ midrange driver also functions as a waveguide. By limiting the peak excursion to 1 mm, intermodulation distortion, which otherwise occurs in coaxial systems, could be avoided. The midrange driver also relieves the woofer and tweeter, so the IN-8 2nd Wave plays more harmoniously and with less distortion than conventional 2-way studio monitors.The crossover frequency of the woofer is 280 Hz, making the IN-8 2nd Wave an acoustic point source. Phase cancellations on the vertical axis will be sought in vain here. Instead, the IN-8 2nd Wave has an even dispersion behaviour over the entire frequency response with excellent depth graduation and localisation. The stereo image also benefits from the coaxial arrangement and enables a detailed mix. Thanks to the "Boundary EQ" familiar from the LP series, the IN-8 2nd Wave can be adapted to different studio environments just as easily as its sister models.