Synthesizer

6 Voices from Heaven:With Artemis, the Greek boutique manufacturer presents another highlight in the company's 10-year history.The analogue six-voice sound generation of Artemis has two VCOs per voice with infinitely variable waveshaping, sync function, FM and PW. A sub-oscillator or noise can be added to the VCOs. The creamy low-pass filter can be switched between 12 dB and 24 dB and modulated directly via key tracking, envelope and oscillator or noise.The first-class algorithms from SINEVIBES are once again used in the effects section. The four stereo effect blocks for distortion/bit crush, modulation FX, delay and reverb can be used simultaneously to alienate or refine the sound.Thanks to a mod matrix, connecting external MIDI controllers is also no problem; controller data such as mod wheel, polyphonic aftertouch, velocity etc. can be conveniently assigned to the parameters. The device also supports the new MPE standard.USB-B port, MIDI I/O (5 pin DIN) stereo output and a headphone socket (all 6.3 mm TRS) are available on the connection side.

The core technology of VIBES MD850 is the new AIS platform (All Integrated Synthesiser), which enables 24 stereo voices in VIBES. However, the modularity of the AIS platform offers the potential for even more powerful and exciting instruments in the future. AIS is also the key element of Mayer EMI's future vision of synthesizers as the central hub for music production.

The multi/poly from KORG draws inspiration from the legendary Mono/Poly analogue synthesizer from the 1980s, which was known for its big sound and experimental features thanks to its 4 oscillators, and transfers this concept into the modern age with the help of sophisticated modelling technology. It is the first instrument ever to make use of the latest generation of KORG analogue modelling, which, in addition to the detailed reproduction of classic oscillators and filters, also includes complete voice boards with the interaction of qualitatively different components, envelope generators and even portamento behaviour for the first time. In this way, the multi/poly creates sounds that seem almost alive and have the typical analogue timbre. The available classic, digital and waveshaper oscillators, which can of course be freely combined with each other, offer a true playground for sound designers and synthesiser fans. Within a sound programme, 4 oscillators, a noise generator with its own filter and saturation as well as a ring modulator are available. In combination with the dual filter, the flexible cross-modulation known from the Mono/Poly, four loopable DAHDSR envelopes, five LFOs and six modulation processors, there are no limits to the imagination when creating sounds. Up to four such sound programmes can be created within a Performance as Layer. Split or Layer Rotate sounds to create particularly complex timbres. (Layer Rotate is a function inspired by the classic mono/poly that switches between different sound programmes each time a button is pressed in round robin style) To animate these sounds, the Motion Sequencing 2.0 function offers several independent sequencer tracks for timing, pitch, shape and four other parameters, each of which can be recorded as individual steps or in real time. As if that wasn't enough, the Kaoss Physics function provides additional, unique modulation options based on the physical model of a virtual ball that moves on a plane based on previously defined parameters and can be controlled or triggered using the integrated X/Y touchpad. This ball generates eight different modulation signals at any given time, which can affect almost any sound-shaping parameter. This creates complex modulations that are never exactly repeated and can be used particularly effectively in a live context. Three blocks with studio-quality effects as well as a master reverb and a master EQ round off the sounds accordingly. When switching between different sound programmes, the Smooth Sound Transition familiar from the KORG flagship workstations ensures natural-sounding transitions without tearing off the sounds or effects. For the creation of new sounds, an inspiring random function is available, which randomises all or only certain sound-shaping parameters within a previously defined framework at the touch of a button, which can lead to completely new timbres or useful starting points for further sound experiments. The new, semi-weighted keyboard with 37 velocity-sensitive keys provides a pleasant playing feel, while the elegant look with wooden elements on the sides and a blue and black control panel is a lovingly realised reminiscence of the classic mono/poly. For particularly convenient programming of the multi/poly, free editor/librarian software is also available for Mac and PC. And so that the instrument can also be transported in style, it is supplied with a matching blue soft case with the multi/poly logo.

JUNO-D is the perfect synthesiser for live musicians and ambitious producers. The lightweight and portable instrument combines a professional Roland sound engine with a clear and intuitive user interface. Whether you're a band musician or composer, you can expect a huge sound library, an 8-track sequencer and versatile connection options for your gear. With the optional power supply via USB-C, you can play anywhere. You'll also always find new sounds and inspiration in the Roland Cloud.With its 61 synthesiser keys, the JUNO-D6 is the most compact model in the JUNO-D family.

6 Voices from Heaven:With Artemis, the Greek boutique manufacturer presents another highlight in the company's 10-year history.The analogue six-voice sound generation of Artemis has two VCOs per voice with infinitely variable waveshaping, sync function, FM and PW. A sub-oscillator or noise can be added to the VCOs. The creamy low-pass filter can be switched between 12 dB and 24 dB and modulated directly via key tracking, envelope and oscillator or noise.The first-class algorithms from SINEVIBES are once again used in the effects section. The four stereo effect blocks for distortion/bit crush, modulation FX, delay and reverb can be used simultaneously to alienate or refine the sound.Thanks to a mod matrix, connecting external MIDI controllers is also no problem; controller data such as mod wheel, polyphonic aftertouch, velocity etc. can be conveniently assigned to the parameters. The device also supports the new MPE standard.USB-B port, MIDI I/O (5 pin DIN) stereo output and a headphone socket (all 6.3 mm TRS) are available on the connection side.

A unique stereo delay with an algorithm developed by 112db.com. The Echolocator is a handy precision tool that allows you to manually control small nuances in a very musical way. Like a bat exploring its surroundings in the dark, you can feel your way through your live performances and influence the behaviour and character of the delay on the fly. With 12 parameters for detailed sound design, memory/recall functions for all parameters, MIDI control for all parameters and an elegant aluminium housing that matches our compact desktop devices, the Echolocator lets your setup fly at any live show, in the studio or when experimenting with sound.