SansAmp Bass Driver D.I. celebrates its thirtieth birthday! first introduced in 1994, it quickly became a permanent fixture in the arsenal of many bassists and studios. To mark its milestone birthday, Tech 21 is releasing a limited edition with an anodised, precision-manufactured billet aluminium housing and all-metal knobs. The fully analogue multifunctional pedal has been convincing for three decades with its wide range of applications, whether as a pure preamp or distortion pedal in front of the amp or as an all-in-one solution for direct routing to the live or recording mixing console. To this day, the SansAmp is the industry standard and ensures a good bass tone on countless stages every day. Happy Birthday!
What makes a good amplifier sound?Tube technology, selected high-voltage components, dynamics through high-voltage technology and an uncompromising analogue signal path.The BL 800 follows exactly this path. AVTC - Analogue Virtual Tube Circuit, selected high-voltage components, 280V operating voltage and a completely analogue signal path.The BL 800 is built like a real tube amplifier, with the same components, and that's exactly how it sounds!Sound without compromise:The BL 800 delivers a clearly defined, tight sound with plenty of attack. It also has a dynamic response and reaction to the guitar's potentiometer that only good tube amplifiers can achieve. The gain reserves surpass the good old JCM800, especially when the boost is switched on. Without the boost activated, the BL 800 is an exact sound copy of the JCM 800 with a little more gain; with the boost activated, there is a decent extra boost of gain.Controls:Gain, bass, middle, treble, volume, plus a gain boost. Five controls are enough to adapt the BL800 perfectly to an amplifier. This is achieved by an active 3-band tone control that covers all sound nuances. The boost adds a further scoop of gain without changing the actual sound of the BL 800.
The Shure SM4 is a home studio microphone that enables professional recording of vocals and instruments with mix-ready audio and effective noise cancellation. The 1-inch brass dual-diaphragm capsule is designed to capture your performance with high accuracy and excellent low-frequency control. Patent-pending interference shielding technology reduces unwanted high-frequency noise from wireless devices. The low-profile design and all-metal construction make it an ideal addition to the home studio. A high-quality magnetic pop filter ensures plosive-free audio and is available separately.
The UE 6 PRO is a warm and powerfully tuned in-ear headset which, unlike all other Ultimate Ears Pro headphones available on the market, works with two dynamic miniature loudspeakers and also has a True Tone Balanced Armature driver for high-frequency reproduction. This hybrid system will also be used in the new UE LIVE.Two dynamic drivers, one BA driver as a 3-way system.This combination of new technology enables UE to achieve a bass frequency reproduction that could not be more realistic! The frequency range of the UE 6 PRO starts at 5Hz and guarantees a lifelike reproduction of low frequencies. A punchy, fast kick bass and a very balanced mid and high frequency reproduction round off the sound signature and make the UE 6 PRO a unique tool for drummers, percussionists and bassists.
The material made from untreated natural cowhide adapts to the individual person after just a few hours. The belt is very soft and supple right from the start.The inner padding prevents strain and pressure on the cervical vertebrae. This ensures better blood circulation right up to the brain region. The adjustment knob is made of brass and treated with a protective coating. It can be easily adjusted when the strap is loose, but as soon as the instrument hangs tightly down the body, it remains securely in position.Only the best hides are selected after careful inspection. The pad is made of natural cowhide. The upper side is black and somewhat thicker. The inside has a very fine tanning that is pleasant to the touch. The leather is slightly thinner and allows the rubber padding material hidden inside to function optimally.We recommend the following sizes:Alto saxophone: S (small), for a normal neck, M (medium), for a muscular neckTenor saxophone: M (medium), for normal necks, L (large), for muscular necksStraight soprano: M (medium)In special cases: e.g. bass clarinet: XL (extra large), or curved soprano: S (small)
SansAmp Bass Driver D.I. celebrates its thirtieth birthday! first introduced in 1994, it quickly became a permanent fixture in the arsenal of many bassists and studios. To mark its milestone birthday, Tech 21 is releasing a limited edition with an anodised, precision-manufactured billet aluminium housing and all-metal knobs. The fully analogue multifunctional pedal has been convincing for three decades with its wide range of applications, whether as a pure preamp or distortion pedal in front of the amp or as an all-in-one solution for direct routing to the live or recording mixing console. To this day, the SansAmp is the industry standard and ensures a good bass tone on countless stages every day. Happy Birthday!