RME ADI-6432
€2,992.45*
Prices incl. VAT plus shipping costs

Weitere Informationen finden sie hier.
Delivery on request
MADI input: 1 x BNC, 1 x optical
MADI output: 1 x BNC, 1 x optical
AES/EBU input: 32 x, 4 x per Sub-D socket, galvanically isolated, highly sensitive input stage (< 0.3 Vpp), SPDIF compatible
AES/EBU output: 32 x, 4 x per Sub-D socket, transformer-balanced, 4 Vpp
Word clock input: BNC, signal adaptation circuit (works from 1.2 Vpp), switchable termination
Word clock output: BNC, low-impedance driver stage, 4 Vpp to 75 ohms, short-circuit-proof
MIDI input and output: one 5-pin DIN socket each
COM port: RS232 via 9-pin Sub-D, 9600/19200/115200 baud
Sync sources: MADI, AES, word clock, internal
Varipitch: via input signal or word clock
Sample rates: 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz, variable (sync/wordclock)
Sample rate range: MADI: 32 - 96 kHz, word clock: 27 kHz - 200 kHz, AES: 28 kHz - 200 kHz
Jitter: Internal clock < 1 ns, word clock in < 2 ns, AES in < 2 ns
Jitter suppression with external clock: > 30 dB (2.4 kHz)
Jitter sensitivity: all PLLs work without interference even with 100 ns jitter
Up to 192 kHz for MADI and AES
Unique status indicators for MADI and AES
SteadyClock for maximum jitter suppression and clock refresh
Completely MIDI remote controllable
Transmits MIDI via MADI
Transmits RS232 via MADI
Power supply: Internal switching power supply, 100 V - 240 V AC, 20 Watt
Dimensions (WxHxD) 483 x 88 x 200 mm
With the ADI-6432 RME offers a 64-channel MADI from/to AES converter. A typical application is the use of two ADI-6432 as digital multicore, or as AES/EBU frontend for the Hammerfall DSP MADI PCI card. Up to 192 kHz at 24 bit are supported. The ADI-6432 offers sufficient space for all sockets and control elements on 2 height units.
The compact device with 19" width and 2 U is used for format conversion from MADI to AES and back. MADI offers 64 channels of 24-bit audio at up to 48 kHz sample rate, 32 channels at up to 96 kHz, and 16 channels at up to 192 kHz. The transmission takes place via a single line, either coaxial (BNC) or via an optical network cable. In both cases, cable lengths of well over 100 metres can be achieved. The AES channels are provided via 32 AES/EBU inputs and the same number of outputs on Sub-D sockets. The ADI-6432 understands the MADI formats 56 channels, 64 channels as well as 48k and 96k frame at the input, and can also generate these formats at the output as required.
Contact:
Audio AG
Am Pfanderling 60
85778 Haimhausen
E-Mail: info@audioag.com
Web: www.audioag.de
RME (Rme Audio) is a German manufacturer of professional audio technology, founded in 1996 and specialising in the development of high-quality audio interfaces, mixing consoles and digital audio solutions. Known for its outstanding sound quality and reliability, RME offers products that are used in both professional recording studios and live applications. The brand has earned an outstanding reputation for its innovative technologies, including its proprietary SteadyClock technology, which ensures precise synchronisation and minimal jitter. RME places great emphasis on ease of use and flexibility, making their products a favourite choice for sound engineers, musicians and producers. With a strong focus on quality and performance, RME remains at the forefront of audio technology, helping creatives realise their musical visions with the highest precision.
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