PlayDifferently Model 1.4

2 stereo sends

The two AUX controls send the channel signal to the aux mix outputs for use with external effects processors or, in some applications, local monitors. AUX 1 offers either PRE or POST FADE, while AUX 2 is internally set to post fader.

2 stereo returns

Two basic stereo channels for use as return inputs from external effects processors or other sources. Each return has TRIM to adjust the return signal, input DRIVE routing and CUE routing to Cue A and Cue B. Each return also features metering for visual feedback of the signal level, a LEVEL rotary fader to adjust the mix amount and combined return 1 - 2 low-cut EQ and master filter routing.

2 high-performance phono preamps

2 high-performance turntable inputs optimised for the club environment to minimise tonal imbalance between vinyl and digital audio and eliminate sub-frequency feedback. Each phono input has its own individual turntable ground binding for greater flexibility.

Studio quality faders

Customised TKD 60 mm faders. These dual-rail faders have been carefully selected to ensure long life and smooth operation and feature a heavy feel for greater precision.

Precision Sculpting EQ

SCULPT is a semi-parametric sweep bell filter and consists of two controls: FREQ, which adjusts the centre frequency, and CUT/BOOST, which adjusts the gain or attenuation at that frequency. The degree of cut/boost is asymmetrical; the maximum boost is limited to +8 dB, while the cut is extended to -20 dB. Sculpt has a large Q value and a frequency range that covers almost seven octaves.

Contouring low and high pass filters

As the name suggests, these two controls allow you to "contour" the frequency range of the audio signal. They consist of low-Q, high-pass and low-pass filters that are designed not to add colour to the sound as they are swept across their frequency range.

Analogue overdrive

A unique feature on each input is the DRIVE control. This control allows the user to set the level at which the channel preamp limits the input signal, producing harmonic distortion as a creative effect.

DualCue

Two independent cue systems, A and B. Cue A is routed to the right headphone monitor and Cue B to the left headphone monitor. The DualCue system makes it much easier for two DJs to perform together on the mixer in "Back2Back" setups, as each can select a separate channel to monitor without disturbing the other. This function also helps DJs to hand over to each other smoothly and naturally.

Mixer Link

A system that allows multiple mixers to be linked, either for use with two or more artists or to expand the number of channels. When linked together, the consoles share a common balanced mix that feeds the PA and booth monitors. In addition, the two cue systems are linked together and allow interactive cueing between multiple artists.

Balanced mix bus

Fully balanced main mix bus (normally only found in very high end analogue studio consoles) - resulting in a dynamic range of >110 dB, improved hum rejection, lower noise and crosstalk.

Master high and low pass resonance filter

The master filter consists of a high-pass filter (HPF), a low-pass filter (LPF) and a resonance control (RES) to adjust the sharpness of the high-pass filter. The master filter can be used as a sweep frequency performance effect or as a preset frequency mix tool to instantly cut the low or high frequencies of any channel passed to the filter. Signals can be routed to the MF via the filter selection switch on each channel.

Three-band master EQ

Three-band master EQ with asymmetrical cut and boost, -20/+6 dB, which can be used as a power control as well as a frequency correction tool.

Two-band Booth EQ

A 2-band equaliser that allows the user to adjust the frequency response of the booth monitors to their own preferences.

100 % analogue

Smooth, intuitive control paired with warm, pure analogue circuitry.

Zero-crossing circuitry

All internal routing uses our zero-crossing detection system, which helps to minimise audio switching artefacts when selecting channel filters, switching the master filter on/off and switching the master EQ on/off. This system allows each of these functions to be used quickly and intuitively as a performance effect.

Quality components

Beautifully smooth components, each controlling a specific function, for intuitive, spontaneous creative performances.

External power supply

Powered by an external 90W 24V universal power supply. Internally, the 24 volts of the external supply is converted to just under +/- 20 V for the analogue power rails using high-frequency switching technology, giving MODEL 1 the highest signal headroom of any professional mixing console, regardless of application.

Locking the power supply input

The MODEL 1.4's external power supply is terminated with a locking plug for added reliability and to prevent accidental disconnections.

Built in the UK

Built in the UK with our partners DigiCo and Allen & Heath using an alloy/steel chassis for maximum strength and minimum weight, optimised for touring, club and performance situations.

D-Subs input

Two fully balanced TASCAM DB25 inputs receive all 8 stereo channels for fast connections to external sound cards and added flexibility in club installations.

D-Sub output

Fully balanced TASCAM DB25 output to send Master, Aux 1 & 2 sends and Cue B channels via a single connector for fast connections to external sound cards and added flexibility in club installations.

Front mounted REC-Out

The RECORD OUT - 3.5 mm TRS jack socket is mounted on the front panel at the top of the master section and feeds the post-master EQ signal as a pre-fader recording output. The nominal level is -2 dB