Cordial CCM 2.5 FM Micro cable 2.5 m XLR-XLR

The Control 54 is a compact DMX lighting mixer that controls up to 9 spotlights or groups of spotlights. The versatile controller is easy and intuitive to operate and is ideal for DJs, clubs, bars or foyers. It is equipped with 9 colour presets, whose selection buttons can also be used to select spotlights. 6 faders are used to individually control the proportions of red, green, blue, white, amber and UV. Automatic, manual or sound control with adjustable microphone sensitivity, strobe, blackout, colour fade and colour jump can be selected directly via dedicated buttons. A practical LC display shows the current function and its parameters. The Cameo Control 54 is supplied with a 9 - 12 V DC mains adapter and 9V block for optional battery operation. It is suitable for controlling all spotlights with RGB, RGBW, RGBWA and RGBWA+UV colour mixing, e.g. Cameo LED bars and PAR cans including the FLAT PAR PRO and FLAT PAR 1 series.

Kali Audio presents the IN-5 3-way 5″ nearfield monitor as a precise monitoring system for smaller rooms. The further development of the successful LP series has a sophisticated bass reflex system with a level-resistant woofer. Instead of the usual tweeter with 3D imaging waveguides, however, a coaxial midrange/tweeter combination has been installed here. The profile-optimised 4″ midrange driver also functions as a waveguide. By limiting the peak excursion to 1 mm, intermodulation distortion, which otherwise occurs in coaxial systems, could be avoided. The midrange driver also relieves the woofer and tweeter, so the IN-5 plays more harmoniously and with less distortion than conventional 2-way studio monitors.The crossover frequency of the woofer is 280 Hz, turning the IN-5 into an acoustic point source. Phase cancellations on the vertical axis will be sought in vain here. Instead, the IN-5 has an even dispersion behaviour over the entire frequency response with excellent depth graduation and localisation. The stereo image also benefits from the coaxial arrangement and enables a detailed mix. Thanks to the "Boundary EQ" familiar from the LP series, the IN-5 can be adapted to different studio environments just as easily as its sister models.

Equipped with the same ESS Sabre32 Ultra DAC technology that is also used in the high-quality MOTU AVB audio interfaces, for example, the M2 delivers an astonishing dynamic range of 120 dB at its main outputs.This is made possible by the high-quality ESS converters, which are also used for the headphone output. Crystal-clear preamps generate a measured value of -129 dBu EIN at the microphone inputs. You will hardly find a better sound in this price range. The M2 offers latency-free monitoring of the live inputs (microphone, guitar or line signals). The ultra-fast USB driver from MOTU enables a round-trip latency of 2.5 ms (32 sample buffers at 96 kHz). When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a 160 x 120 pixel colour LCD display with clear, detailed level meters for all inputs and outputs. There is no better and more accurate level display.The M2 driver provides loopback channels for your host computer, so you can send the overall mix back to the computer at the audio outputs. This allows you to stream computer audio in the mix with live microphones and/or guitar inputs to YouTube or a podcast platform, for example. Streaming and podcasting has never been easier and better! With a standard USB-C power supply, the M4 can be used as a standalone preamp and basic mixer without the need for a host computer. Simply activate the monitor button for each input (and 48V phantom power if required) and adjust the preamp gain as required. Connect the main outputs to any device with a line input, such as powered speakers or a mixer.