Allen & Heath CQ18T Softcase

CQ is Allen & Heath's most compact digital mixer series ever.It is based on a 96 kHz engine and offers numerous connectivity options such as Bluetooth, wireless options, SD and USB audio recording and playback.The focus is on speed and ease of use - brand new Quick Channels, gain/feedback wizards and effects enhance the world-renowned audio and build quality that users have come to expect from Allen & Heath.The units are offered in three form factors - two desktop models with hands-on operation and a stagebox model. All models utilise the same technology, applications and user interface, but differ in features and price points.With the CQ range, Allen & Heath has created a super portable and easy to use, yet fully featured digital mixer suitable for technical and non-technical users alike.The CQ has been designed for use wherever high quality sound processing and summing is required, from bands and producers to AV and hire companies, from the main mixer in a small venue to the sub-mixer on the biggest stage.

Capture the true sound with a microphone and produce an unforgettable show. Effortlessly. The 2028 was created to meet all the unique challenges of the live stage. It's a flexible handheld microphone for transparent, fantastic vocals that is suitable for a variety of uses, such as live, church congregations, broadcast, etc. It can be used wired or with your favourite wireless system. Whichever you choose, just plug it in and experience the voice like never before.The 2028 features a supercardioid capsule with DPA's famous linear off-axis behaviour. This allows the microphone to achieve very high gain before the onset of feedback, while making it easier for engineers to handle crosstalk from nearby instruments. The 2028 captures these off-axis sounds in the most natural way.We have developed a brand new capsule for the 2028, which is an integral part of the microphone. It is permanently attached to the shockmount and cannot be removed. The newly designed shockmount and pop filter were developed especially for the 2028.On the live stage, the 2028 delivers the same open and transparent sound as other DPA microphones. In fact, it needs no (or very little) EQ to sound like you're standing right next to the singer listening to their performance. This allows the singer to use their voice as if they were not using a microphone at all, which puts less strain on them. In addition, sound engineers can spend their time shaping the sound experience instead of having to deal with artefacts. This amazing transparency is unique to DPA microphones.