AKG C 1000 S MKIV

The Beta 57A is a high-quality, dynamic instrument microphone for the studio and professional gigs. It is a favourite of musicians and sound engineers, especially on very loud stages. The consistent supercardioid characteristic isolates the sound source, suppresses background noise from e.g. adjacent instruments and minimises feedback.

The d:vote™ series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote™ CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality. CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA. Whether piano, guitar, strings or wind instruments - d:vote™ microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. With the matching holder, you can mount the microphone on another instrument. The award-winning d:vote™ series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true tone of your acoustic instrument.

The "Singer" RC set is optimised for use as a support/soloist microphone for a singer or speaker.This set is known worldwide as the "Pavarotti stand" and is a general standard on concert stages. The simple elegance of the stand construction with the highest sound quality offers both optimum sound and a concert stage look that is appreciated by audiences and directors.Other applications can be realised by varying the length of the RC and/or STR.

The Beta 57A is a high-quality, dynamic instrument microphone for the studio and professional gigs. It is a favourite of musicians and sound engineers, especially on very loud stages. The consistent supercardioid characteristic isolates the sound source, suppresses background noise from e.g. adjacent instruments and minimises feedback.

The d:vote™ series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote™ CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality. CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA. Whether piano, guitar, strings or wind instruments - d:vote™ microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. With the matching holder, you can mount the microphone on another instrument. The award-winning d:vote™ series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true tone of your acoustic instrument.

The "Singer" RC set is optimised for use as a support/soloist microphone for a singer or speaker.This set is known worldwide as the "Pavarotti stand" and is a general standard on concert stages. The simple elegance of the stand construction with the highest sound quality offers both optimum sound and a concert stage look that is appreciated by audiences and directors.Other applications can be realised by varying the length of the RC and/or STR.

The Beta 57A is a high-quality, dynamic instrument microphone for the studio and professional gigs. It is a favourite of musicians and sound engineers, especially on very loud stages. The consistent supercardioid characteristic isolates the sound source, suppresses background noise from e.g. adjacent instruments and minimises feedback.

The d:vote™ series is already the recognised benchmark for this type of microphone. The CORE version delivers even better sound quality and distances itself even more clearly from competitor products. The d:vote™ CORE 4099 delivers even more clarity and detail across the entire dynamic range. CORE technology is the logical choice for musicians, live sound engineers and anyone else who doesn't want to compromise on sound quality. CORE by DPA is the powerful new technology that underpins DPA miniature microphones. We have minimised distortion. As a result, the microphones offer a clearer and more open sound from pianissimo to forte. Find out more about CORE by DPA. Whether piano, guitar, strings or wind instruments - d:vote™ microphones deliver outstanding sound for all instrument types. This one microphone model can amplify an entire orchestra beautifully. With the matching holder, you can mount the microphone on another instrument. The award-winning d:vote™ series offers a far more natural sound than other clip-on microphones or pickups. This condenser microphone suppresses unwanted noise and accurately captures the true tone of your acoustic instrument.

The "Singer" RC set is optimised for use as a support/soloist microphone for a singer or speaker.This set is known worldwide as the "Pavarotti stand" and is a general standard on concert stages. The simple elegance of the stand construction with the highest sound quality offers both optimum sound and a concert stage look that is appreciated by audiences and directors.Other applications can be realised by varying the length of the RC and/or STR.

The Beta 57A is a high-quality, dynamic instrument microphone for the studio and professional gigs. It is a favourite of musicians and sound engineers, especially on very loud stages. The consistent supercardioid characteristic isolates the sound source, suppresses background noise from e.g. adjacent instruments and minimises feedback.