Rock Shop microfibre cloth (grey)

The MY16-AE Mini-YGDAI Digital I/O Interface card is used to expand Yamaha's PM5D, DM2000, DM1000, 02R96 and 01V96 digital consoles by 16 simultaneously usable inputs and outputs in digital AES/EBU format via a single expansion slot. All 16 channels can be used independently of each other up to a sample rate of 48 kHz. In "Doublechannel" mode, eight independent channels are available at 88.2 or 96 kHz."Doublechannel" connection with 24 bit/96 kHz recorders:Although DM2000 and 02R96 can process 24 bit/96 kHz as standard, most digital recorders require the so-called "doublechannel" mode for 24 bit/96 kHz, in which two channels are combined into one. In this configuration, the DM2000 and 02R96 use one channel per track, but twice as many I/O connections are required. This means that in "doublechannel" mode, a 16-channel MY16 AE card processes up to eight channels at 24 bit/96 kHz. With the latest generation of recorders, which also process 24/96 as standard (in "Doublespeed" mode like the 02R96), you can create standard connections using the MY-AE96 card.

TRILOCK 6082 3-point truss systemThe TRILOCK 6082 is a 3-point truss system made of aluminium, which is connected via three conical connectors, pins and cotter pins. TRILOCK 6082 uses the solid alloy EN-AW 6082 T6 (AlMgSi1 T6) for high load-bearing capacity. The advantage of conical connectors is that they form a positive and non-positive connection with the belt tube and therefore guarantee maximum load-bearing capacity. The Quick-Lock system enables quick, efficient and visually appealing assembly with frequent assembly and disassembly. The three chord tubes are made of 50 mm aluminium tube with 2 mm wall thickness and give this system an excellent weight/load capacity ratio. The struts have a diameter of 16 mm with a wall thickness of 2 mm and leave plenty of room for attaching couplers, hooks and clamps. With external dimensions of 290 mm and 257 mm respectively, this is a stable truss system for higher loads and longer durability. This truss system is primarily designed for intensive use in stage construction, trade fair construction and event technology, but also for permanent installations in discotheques and theatres. Its polished surface makes this universal system a real eye-catcher. Thanks to its extensive range of standard system lengths, corners, circles and accessories, this system is extremely versatile and offers endless design possibilities. The production of this truss system is monitored by TÜV. The load table as a basis for calculation can be downloaded from the Internet before purchase!

Rohema Percussion - Robert Hellinger Markneukirchen is a family business in its 5th generation. Company founder Robert Eduard Hellinger started production in Markneukirchen in 1888. Even then, the product range included drumsticks and drumsticks. Since then, numerous mallets and rhythm instruments have been added to the range.The current management of the company by Matthias and Andreas Hellinger was preceded by a sound training as a master craftsman and many years of working in their father's company. The 5th generation is already firmly integrated into the company through business economist Maik Hellinger and trained wood turner Tobias Hellinger.

Easy to adjust for every situation:The reed screw can be optimally adjusted to the sound, musical direction and mouthpiece using three different metal plates.Musical expression without limits:The reed screw has no contact with the mouthpiece in the reed area, allowing the reed to vibrate freely without interference.With three different pressure plates:Plate 1:Runs in the same direction as the fibres of the reed, resulting in a very light response.Incredibly easy articulation (especially in staccato) and great resonance with rich, sonorous tones.Plate 2:More compact, centred tone and a soft, balanced sound. Exceptional, easy response.Plate 3:The reed vibrates completely unaffected and produces a highly flexible sound for the greatest possible musical expression.The three plates of the reed screw adapt to your style, regardless of whether you are a classical or jazz player.

The AR2412 offers 24 XLR mic/line inputs and 12 XLR line outputs and is connected to the GLD / QU / SQ digital mixers via CAT5e. Depending on the type used, the distance can be up to 120 metres. Allen & Heath's dSNAKE protocol offers the possibility of remote control of the preamps in the AR2412 stagerack from the console, all mic preamp settings can be saved and recalled in scenes.The AR2412 also features an Aviom compatible monitor (split) connection port.