Synthesizer

JUNO-D is the perfect synthesiser for live musicians and ambitious producers. The lightweight and portable instrument combines a professional Roland sound engine with a clear and intuitive user interface. Whether you're a band musician or composer, you can expect a huge sound library, an 8-track sequencer and versatile connection options for your gear. With the optional power supply via USB-C, you can play anywhere. You'll also always find new sounds and inspiration in the Roland Cloud.The JUNO-D8 top model offers an authentic piano playing experience with its 88 weighted hammer action keys.

The core technology of VIBES MD850 is the new AIS platform (All Integrated Synthesiser), which enables 24 stereo voices in VIBES. However, the modularity of the AIS platform offers the potential for even more powerful and exciting instruments in the future. AIS is also the key element of Mayer EMI's future vision of synthesizers as the central hub for music production.

JUNO-D is the perfect synthesiser for live musicians and ambitious producers. The lightweight and portable instrument combines a professional Roland sound engine with a clear and intuitive user interface. Whether you're a band musician or composer, you can expect a huge sound library, an 8-track sequencer and versatile connection options for your gear. With the optional power supply via USB-C, you can play anywhere. You'll also always find new sounds and inspiration in the Roland Cloud.With its 61 synthesiser keys, the JUNO-D6 is the most compact model in the JUNO-D family.

Stack, connect and createThe Moog Sound Studio Accessory Kit is the 3-tier rack solution your Mother Ecosystem synthesisers have been waiting for. Mount any combination of Mother-32, DFAM, Subharmonicon, Spectravox and Labyrinth semi-modular synthesizers together vertically for maximum modularity and synthesis possibilities.Each Moog Sound Studio Accessory Kit includes a compact summing mixer with three-way power distribution that allows for flexible signal routing and conveniently powers your entire system from a single power supply. Also included are a patch cable organiser, a dust cover and, of course, all the cables you need to connect your instruments.What is included?Personal stereo summing mixer and instrument cablesThis four-input analogue summing mixer features selectable mono or stereo configurations for versatile routing options, and the integrated three-way power distributor conveniently powers up to three 60 HP instruments from a single source. The included instrument cables are available in various lengths and colours to complement the system and reduce cable clutter. You can connect headphones, an audio interface or monitor speakers to the 1/8" output with integrated level control. Three-stage rack kitConveniently stack all three synthesizers and the summing mixer as one cohesive system to maximise studio space and align the instruments vertically for optimal interconnectivity. Designed for stability and style, the rack not only optimises space, but also creates an ergonomic layout that allows easy access to all controls and patch points. Dust coverProtect your instruments when they are not in use. Made from tough Ballistic Cordura, this water-repellent cover protects your equipment from dust, spillages and other mishaps in the studio (and on stage), while the ultra-soft interior is gentle on your synthesiser. Customised with space for patch cables and access to the rear I/O panel. The adjustable Velcro fasteners ensure the sleeve fits snugly and stays in place.Cable organiser and individual patch cable setThe included patch cable organiser connects to the three-tier rack and keeps patch cables neat and tidy. A custom set of patch cords has been selected in length and quantity to maximise the patchability of the system.Translated with DeepL.com (free version)

The multi/poly from KORG draws inspiration from the legendary Mono/Poly analogue synthesizer from the 1980s, which was known for its big sound and experimental features thanks to its 4 oscillators, and transfers this concept into the modern age with the help of sophisticated modelling technology. It is the first instrument ever to make use of the latest generation of KORG analogue modelling, which, in addition to the detailed reproduction of classic oscillators and filters, also includes complete voice boards with the interaction of qualitatively different components, envelope generators and even portamento behaviour for the first time. In this way, the multi/poly creates sounds that seem almost alive and have the typical analogue timbre. The available classic, digital and waveshaper oscillators, which can of course be freely combined with each other, offer a true playground for sound designers and synthesiser fans. Within a sound programme, 4 oscillators, a noise generator with its own filter and saturation as well as a ring modulator are available. In combination with the dual filter, the flexible cross-modulation known from the Mono/Poly, four loopable DAHDSR envelopes, five LFOs and six modulation processors, there are no limits to the imagination when creating sounds. Up to four such sound programmes can be created within a Performance as Layer. Split or Layer Rotate sounds to create particularly complex timbres. (Layer Rotate is a function inspired by the classic mono/poly that switches between different sound programmes each time a button is pressed in round robin style) To animate these sounds, the Motion Sequencing 2.0 function offers several independent sequencer tracks for timing, pitch, shape and four other parameters, each of which can be recorded as individual steps or in real time. As if that wasn't enough, the Kaoss Physics function provides additional, unique modulation options based on the physical model of a virtual ball that moves on a plane based on previously defined parameters and can be controlled or triggered using the integrated X/Y touchpad. This ball generates eight different modulation signals at any given time, which can affect almost any sound-shaping parameter. This creates complex modulations that are never exactly repeated and can be used particularly effectively in a live context. Three blocks with studio-quality effects as well as a master reverb and a master EQ round off the sounds accordingly. When switching between different sound programmes, the Smooth Sound Transition familiar from the KORG flagship workstations ensures natural-sounding transitions without tearing off the sounds or effects. For the creation of new sounds, an inspiring random function is available, which randomises all or only certain sound-shaping parameters within a previously defined framework at the touch of a button, which can lead to completely new timbres or useful starting points for further sound experiments. The new, semi-weighted keyboard with 37 velocity-sensitive keys provides a pleasant playing feel, while the elegant look with wooden elements on the sides and a blue and black control panel is a lovingly realised reminiscence of the classic mono/poly. For particularly convenient programming of the multi/poly, free editor/librarian software is also available for Mac and PC. And so that the instrument can also be transported in style, it is supplied with a matching blue soft case with the multi/poly logo.